When I need a good refresher in typing precision and my anachronistic streak just won't leave me alone, I turn to my good buddy Rattletrap.
When I carted the typewriter up to the counter, the shop owner fed me a story about how it had been in the possession of a ninety-year-old woman who had it sitting peaceably on a table in her hall--the typewriter equivalent of, "She only drove it on Sundays." True or not, I forked over a twenty dollar bill and sauntered out with my new toy under my arm. I did not even notice the stuffed snake on my way out.
I named the typewriter Rattletrap because the keystrokes have such a pleasant kachank sound, which in quick succession smoosh together to sound like a fun, peppy maraca rattle. The "trap" part comes in by the fact that by the time I have this bad boy out of the case, I know that I'm going to be sitting in front of it for a while. It literally sticks me to my chair because it's simply too cool and quirky to walk away from. Anyone who writes knows how important the "stick to chair" part of the process is.
I also call it Rattletrap because--let's face it--it's a ramshackle typewriter from the 1930s that I bought from a pawn shop that sells dead snakes. Even in such only-driven-on-Sundays-by-a-sweet-little-old-lady pristine condition, this ain't no highbrow machine. This is an object that was made to work hard until its keys wear out. (Which, thankfully, they are a long way from doing.)
Rattletrap got a shave and a haircut (or some trumpet valve oil and a new ribbon thanks to Staples' wonderful selection of cash register ribbons), and has been working like a champ. The novelty of it stimulates my brain, getting the stories warmed up to trot out for a walk across the keys, but the added benefit is that it slows down my typing and makes me really concentrate on what I'm trying to say. It messes with the automatic muscle memory I usually use to type and that's a good thing. One of the reasons that pens are good for writers is that you can't write faster than you think like you do with a computer. With a typewriter, you get the same neatly typed text, but it slows you down to a rate comparable to that of handwriting. Throw in some decent OCR software (I use OCRTools for Mac), and you're well on your way. Another cool thing is that typewriters, like pens, are pressure sensitive. If I'm really hammering away at an intense scene, the words on the page reflect the physical tension I expelled when writing it. It doesn't matter much in the final product, but it's a cool meta-writing effect to consider when reflecting on your own work.
Rattletrap inspired a short story with the utterly creative and original working-title of "The Typewriter" which I will hopefully finish in the near future.
Just as soon as I check my email and finish this game of solitaire...
*Percentage based on the fact that I do 0% work on my writing while email, message boards, blogs, Hulu/Netflix, Amazon, or any other website ever created is available to me.