Showing posts with label diamine. Show all posts
Showing posts with label diamine. Show all posts

Tuesday, March 8, 2016

Tools of the Trade: Newton Pens Eastman

As I mentioned in my last post, I recently attended the Arkansas Pen Show as a vendor for the first time to sell find new homes for some of my handbound books. It was a wonderful experience for a number of reasons, but not least that my friend and I had the best table-neighbors possible for vending a show. We were placed next to Shawn and Elizabeth Newton of Newton Pens. There was much interesting discussion about art, craftsmanship, writing and tools thereof, superheroes, Maniac Magee (which I promptly re-read and love more than ever), and lots of other random things. There was no way I was walking out of there without finally owning one of Shawn's custom, hand-turned fountain pens.

Choosing just the right pen was nearly impossible. I hemmed and hawed over his incredible selection, chewing my lip as I fought back another wave of frustrated indecision.

Okay, I'm totally lying. If I had allowed myself to actually do more than sneak a side-glance at his table, that is what would have happened, but I didn't let it. I couldn't let my eye wander over there, because (thanks to Shawn's amazing pictures on social media), I had already promised my love (and my money) to one of his pens in particular:

Newton Pens Eastman in Cool Mint Water Acrylic

Shawn has made pens from this material before for other customers, and from the first time I saw it, I was sold. The color is gorgeous--soothing and mild, but with an icy vibrancy in the veining. When writing with it, I catch myself just stopping to look at it, enjoying the way the swirls bend and swoop in the walls of the pen, adding the illusion of mass suspended in weightlessness.


Basically, that's a lot of fluffy wine-tasting talk to say, "It's purty. Like, really." The light was not kind when I tried to take a few quick shots of the pen to add to this post, but there are some much better pictures on the Newton Pens site. (While you're there, go ahead and click the Newton Pens Scholarship tab. It is such a cool program!)

As soon as I entered the room to set up for the show, I was like, "HiShawngimmemypenpleasepleasehurrykthanks," because I didn't want anyone else making me have to fight them for it. When I finally had it in my clutches (along with a custom pen sleeve in the coolest geek-cred fabric made by Elizabeth Newton), I immediately had the strongest urge to go hide in a quiet room and write an entire novel. Unfortunately, since I had two days of selling books to do, I had to sit and stare at it until after the show when I would have time to put some miles on it.

It has some miles on it now.

Yes, it does.

First, I want to talk about the quality of the craftsmanship. This pen doesn't feel like any other pen in my collection. It wouldn't--it's completely unique, made by hand. That said, I dare you to find a flaw. It has been polished to incredible smoothness inside and out. It has been turned with meticulous care and consistency, for any variations of material thickness or machining technique would be fairly obvious in this, a clear pen. The form factor suits it so well: a simple, straight cylinder with flush cap and barrel. It allows the material to take center stage. The cap and barrel threads are tight, so the cap stays in place securely when the pen is closed. The tolerance between cap and barrel when closed is nearly seamless. It is not possible to post this pen given the shape, but the length is significant, similar to a Pelikan m1000, and should be sufficient for any size hands. Likewise, the pen is light enough to hold in quite dainty hands, even though it is of substantial size.


The filling mechanism is cartridge/converter, and it came included with a nice standard-international converter (and a fill of Waterman blue-black). It is also possible, with the addition of a smear of silicone grease on the threads, to use this pen as an eyedropper-filled pen. (Here's more information from Fountain Pen Revolution if you're not familiar with eyedropper-filled pens.) I bought a brand new bottle of Diamine Soft Mint (J. Herbin Diabolo Menthe would also work) just for this purpose.

I chose an extra-fine steel nib for the pen. Shawn now works with a partner who is creating custom gold nibs for his pens, but he also sources good-quality Jowo nibs, which can be found on several well-known manufacturers' pens. Personally, I'm a fan of the Jowo nibs, and I've rarely used a poor one. This nib is no exception, providing a relatively smooth writing experience with a moderate amount of pleasant feedback. (I consider some feedback, or paper-feel, very pleasant when writing. If you prefer a mirror-smooth writing experience, I might direct you to a broader nib. It's rare to find that quality in even the best fine and extra-fine nibs.)

As a crafts-woman myself, few things make me happier than supporting my fellow artists. This pen will remain a special part of my collection, not just because I love how it looks and how it writes (I do!), but because I know what it is to make something with my hands and the guts it takes to share that with others.

I write reviews like this and keep a "Tools of the Trade" portion of this blog specifically because I believe it is important to understand and find affection for the tools that make our endeavors not just possible in a minimal way, but truly enjoyable. I appreciate this pen like I appreciate other tools, and I love it like any number of other nice things I've been blessed to own. However, more than either of those things, I respect it and the hands that made it.

May all that care, attention, and passion infuse every piece I write with it.
Official Title: Writing Sample in Horrible Lighting, $1000 unframed


Tuesday, January 13, 2015

Tools of the Trade Mega Review: Diamine 150th Anniversary Inks--All of Them!

A while back, I promised in-depth reviews of the new Diamine 150th Anniversary ink set. I meant to get to it before now, but since I don't have a time machine (or do I?), I decided I would just cut to the chase and post all the reviews in one fell swoop.

Overall, though each of these inks has its own personality, I can say that they are universally well-behaved and pleasant to use. I spent about a week writing with them sporadically, and never had any issues with hard-starting or clogging. I think it's fair to judge these inks by their color and not worry too much about letting it touch your beloved pens (as long as you're good with your pen hygiene! You can't blame the ink if you let it sit for months and it ruins your pen). It is my understanding they will be available on a continual basis, so don't be afraid to fall in love.

1864 Blue Black

Blue black is one of those colors everyone needs, so all the pen/ink manufacturers have some variation. Several of the ones I've tried have ended up being a kind of chalky, sometimes almost greenish dark blue, but not what I would call truly blue-black. Not so here. This is as true a blue-black as ever there could be. It's dark, very, but the blue shows up in the light. When I go hunting for a stolid, almost intimidating blue-black, I think this will be the one I reach for. My only issue with it is that it is not even remotely water resistant, so that is something to consider if signing documents.

Click to Read

Blue Velvet

I am a long established blue ink junkie. I have more bottles of blue ink than any other color, and I know them all by heart. There are three blues in this set, but Blue Velvet was the one that stole my vision. It's just gorgeous, and though nothing (nothing) captures the vibrancy of Noodler's Baystate Blue, this is a good substitute if you're after a soul-stirring true blue ink.

Click to Read
 Carnival

This is the one ink in the set that I was most concerned about with regard to behavioral problems. It's red. I love a good deep red ink, which this one is, but red dyes are notorious for staining. I'm pleased to say this ink did not end up leaving its mark on my pen, but I did make sure not to leave it in the converter for a long period time. That's just good practice anyway, but especially with red inks. That said, I love this color! It's a rich, true red without leaning too much to the orange side. I am really going to enjoy this one, and it will likely replace Diamine Poppy Red as my editing ink.

Click to Read

Regency Blue

Regency Blue covers the place between the rich, true-blue of Blue Velvet and the near-vacuous 1864 Blue Black. It is a dark blue, but a true one, and would be the kind of ink that could fill almost any need handily. It is a highly saturated ink, much like Diamine Majestic Blue or P.W. Akkerman Shocking Blue, but it is missing some of the sheening qualities those display. I suspect that may be why I had such a different experience with clogging here. Both Majestic Blue and Shocking Blue are deep and fascinating with the red sheen puddling up from heavy areas, but they also clog like crazy in a very short time. I did not have that problem with Regency Blue. Do I miss the sheen? I do, a little, but that's not the only reason I reach for a rich blue, and it's good to know there is a better-behaved version in my collection.

Click to Read

Safari

I don't think there are many other inks out there that fit this unique niche. I don't know what it is about this shade that intrigues me, but for some reason it catches my eye. I love olives, but if you ever asked me where olive green rates on my list of favorite colors, it would be pretty far down the list. I mean, it's like The Brady Bunch's carpet, right? However, there is something about the context of this color as an ink that works for me. I have to lump this one and Terracotta together as my "sleeper" inks, ones I wasn't sure I would like that I ended up enjoying a lot. The closest other color to this that I've used is Rohrer & Klingner Alt-Goldgrün, which I sampled as a potential match to my Pelikan White Tortoise m400. This ink is almost a dead ringer, maybe missing just a little yellow pop. I think it's going to get a surprising amount of use.

Click to Read

Silver Fox

Silver Fox stands out as the mildest ink in the set, a mellow gray whispering to be seen among the likes of stunners like Blue Velvet and bullies like 1864 Blue Black. When it gets its chance to shine, though, it's such a lovely color. I really like the look of a full page written in a friendly gray. It reminds me of my pencil days without the threat of erasure. Unless there is water, of course. This stuff ceases to exist when wet, but what do we expect from such a polite ink?

Click to Read

Terracotta

If Safari is The Brady Bunch's carpet, Terracotta seemed to me that it would go nicely with their kitchen counters. There is just not much about a flower pot I would have ever told you would be attractive, but here again, I ran it through a pen and found myself amazed at how much I enjoyed watching it fill up the page. There is a lot to enjoy here--the ink shades like a champ, and it has a cool color change effect as it dries. I always enjoy that, as it makes the meta-writing experience a little more interesting. No one is more surprised than me, but this may be my favorite ink of the whole set. (Shh. Don't tell Blue Velvet.)
Click to Read
Tropical Green

Tropical Green is probably the green equivalent to Blue Velvet for vibrancy. Diamine has a lot of greens to choose from in their line, but Tropical Green hits that middle-green area with fervor. It leans a little toward the blue, but it knows who it is. It is Tropical Green, mighty, strong-willed, and pretty good at shading. I don't have a ton of green inks in my collection, and if you're only going to have one, this is a good candidate.

Click to Read

This concludes your 8-for-1 ink review special! If any or all of these inks strikes your fancy, you can snap them up one at a time or as a set. Again, I'm grateful to my friend Derek for giving this set to Husband and me for Christmas, and grateful to Vanness Pens for answering the phone when he called to snap it up about as quickly as they had unboxed it. It's rare that I get to be a front-of-the-line person, and it was pretty cool being among the first to try these out. It's also cool getting presents you really love from friends who share your interests. They're worth their weight in gold (nibs or otherwise).

Friday, December 19, 2014

Tools of the Trade: Ink Review--Diamine 150th Anniversary Inks Introduction

I realize it isn't Tuesday, and that means it isn't Tools of the Trade day, but earlier this week was my wedding anniversary. Rather than write a long, languid post about how much Husband has meant to me over our last eight years together, I will spare you the mush (and there WOULD be mush). Instead, I will take this opportunity to get the Tools of the Trade part of the blog back in gear in honor of another anniversary: Diamine's 150th Anniversary Ink Set.

Diamine 150th Anniversary Inks




Husband and I received this lovely ink set as a gift from our friend Derek courtesy of Vanness Pens in Little Rock, AR. Not only did it come to us blazing fast, it also came with a lovely card--a vintage Parker card I am sure would not have been included had the gift been ordered from those sweethearts at Amazon.com, but I digress. 

There are eight exclusive inks in the set, though Diamine states they are not limited editions and will be available separately ongoing. This is good news for me because I have no doubt I will be using up some of these colors post haste. 2014 has been a rough year for me, and I have a lot of writing to catch up on in 2015. 

Each ink bottles comes in a unique 40mL wedge-shaped bottle that fits together with its brethren to form a circle, or an ink-pie/cake/insert round dessert. They're definitely pretty enough for display in any inkophile's study, and Derek suggested we get a lazy Susan so we can spin-the-ink-wheel whenever we need to choose a color.

Colors



I'll be posting individual reviews in the near future, but here are color swabs of the eight exclusive 150th Anniversary edition inks. 

Safari

Terracotta


Blue Velvet


Carnival


1864 Blue Black


Silver Fox


Regency Blue


Tropical Green

I enjoy reviewing new inks about as much as I enjoy early Christmas presents, so be sure to check back as I post in-depth reviews of each of these colors. If you just can't wait to see the review of your favorite, go ahead and take the plunge. Overall, these inks do Diamine proud. They're vibrant, well-behaved, and packaged attractively. 

Until then, I think I'll go work up some of that mushy stuff I was talking about and spread it to Husband. He's my favorite, and I hope he never, ever doubts it. 

Tuesday, July 22, 2014

Tools of the Trade: Ink Review - Diamine Apple Glory

It has been FOREVER since I've posted a Tools of the Trade review, and I have missed them! I love everything about writing, from picking apart pieces of my day in search of nuggets of inspiration and motivation for content and productivity, all the way to poring over the meta-writing experience to examine the act of writing itself, whether it be reviewing inks or obsessively changing the default font on my word processor so it is just right. I so enjoy doing reviews that may help others find more joy in their writing. More joy, more writing, more better.

So there.

I've been going through a dry spell in my own writing life, not so much because of writer's block, but more because of a severe lack of time and energy. These seasons of life come and go, and what is important is to always keep your goals in mind and to try to carve out little slivers of time for things you enjoy. Sometimes for me, that is as simple as finding an ink to write with that is in a better mood than I am. Very often, that ink is Diamine Apple Glory.

As I mentioned in my Noodler's Firefly review, I collect the Lamy Safari limited edition fountain pens, so every year I get a nice, bright new color of pen and I always go searching out an ink to match. In 2012, it was the Apple Green Safari, which I paired with one of the only green inks I had on hand at the time, Private Reserve Sherwood Green (which is a lovely ink, but no real match for the pen at all). I didn't think much about it again until Vanness Pens ran a discount for the 30ml bottles of Diamine inks at the Arkansas Pen show. I pawed through their stash and snagged a bottle of Diamine Apple Glory, thinking it would be a good "sometimes ink."

I paired it up with my Apple Green Safari and settled in to write a few lines in an ink I figured would be too bright for everyday use, but might be fun for art or occasional writing.

I was wrong. The ink was such a perfect match for the pen, with a subtle hint of blue mixed in with the yellow-green, which gives it a sort of "heft" on the page. It is not only legible, it makes words look as if they're floating above the page itself. Very cool.

This is a pretty straightforward ink, and I haven't noticed any particular behavioral concerns. I haven't had any staining, it behaves well on most papers (maybe some slight feathering on cheaper papers, but nothing out of the ordinary), and it flows well. The only real caveat is that it is very susceptible to water, so though it may beckon you to do so, I wouldn't sit and write about the beauty of a gentle summer rain while actually in a gentle summer rain.

I'm sorry for the quality of the scan--it's actually a photo because my scanner doesn't handle these light and bright colors too well. Even though the white balance is off (the paper is actually very bright white), the general character of the color is present. Honestly, it is so much nicer in person, you should really just stop reading this review and go get a bottle of this ink.

Go ahead. I'll wait.

If you're still not convinced, feast your apple-loving eyes on my handwritten review. I guarantee this happy green ink is in a better mood than you are. 



Tuesday, January 14, 2014

Tools of the Trade: Ink Review - P.W. Akkerman Shocking Blue

Last week I gushed about my big, beautiful new bottle of P.W. Akkerman Denneweg Groen. I have continued using it--a lot--and it remains as peaceful and well-behaved as my purring Penny-cat.


The fateful trip to Vanness Pens that netted me my vaunted Akkerman ink was not only for Husband and me. Our friend Derek had recently discovered a Waterman Executive fountain pen in the back of a drawer. Silly Derek. He picked up the pen and used it, not realizing he was opening the door to Pen Acquisition Disease. Since there is no cure and Vanness is like a pen addict's Disneyland, we all tucked into the car and took a field trip.

Despite claiming to only like black ink, the exotic allure of Akkerman ink got to Derek too and he purchased a bottle of what we're told is the store's most popular Akkerman color: Shocking Blue.


It is an apt name. The closest ink I can liken it to is Diamine Majestic Blue, but there is a slight difference in hue. The Shocking Blue is maybe a half-shade lighter, but it is still a true, center-hued dark blue ink that fills a gap where one might traditionally use a blue-black. The "shocking" part comes in with the intense red sheen the ink can get in saturated areas. Again, this is similar to Diamine Majestic Blue, and it is one of my favorite features.

I wrote the handwritten review with Derek's Waterman Phileas, which wrote nicely but isn't a pen I'm familiar with. While I was at it, I siphoned off a fill for my Pelikan m805 so I could give the ink a test drive in one my most beloved and well-used pens. (Besides, it matches the barrel!)

I found that the things I liked about the ink at first continued to be things I liked about it. The color is just pleasant to look at, either scribbling a grocery list, taking notes for work, or filling up a slew of notebook pages with this and that. I did catch myself getting preoccupied looking at the sheen, losing a thought here or there because I was too busy holding the page up to the light to admire it. (I never said I was an efficient writer, just a passionate one.) The ink feels "soft" on paper, especially Rhodia. It is a feel I've noticed with some other highly saturated inks, leading me to believe it is something about the viscosity of the high dye content that gives that velvety ride. My Denneweg Groen writes smoothly and flawlessly, but it is missing that texture. It's nice...while it writes.

Derek and I both noticed that the Shocking Blue tends to dry out in the nib very quickly when the pen is left uncapped. I'm not talking leaving it uncapped on the dash of your car like your childhood Crayola magic markers, I mean pausing long enough to rephrase a sentence so it doesn't end with a preposition. As a veteran fountain pen user, I've grown used to the compromises and quirks, including getting into the habit of recapping my pen if I'm going to think more than a few seconds. I keep this habit faithfully, but usually found I had recapped the pen too late with the Shocking Blue, though it rarely happens with other inks. My Pelikan m805 is one of the smoothest, most trustworthy, perfect pens I have ever touched and it never skips, at least not of its own accord, but with this ink there was more than once that I had to swipe the nib with a damp paper towel to coax the ink to flow again. I haven't noticed any of this problem when opening the pen for a fresh writing session, so it doesn't appear to be evaporating too rapidly from the pen itself, but I don't plan on leaving it unattended too long. This ink is definitely higher maintenance than Denneweg Groen.

It would be a hard sell of this ink to someone who already owns Diamine Majestic Blue unless the person is as enamored with the amazing bottle as I am. That said, I already own Majestic Blue, and I can already see a space on my ink shelf for a bottle of Shocking Blue. That half-shade of color difference is enough to appeal to me. This ink is the very definition of deep blue, and since blue is my favorite color, there is always room for one more.

As always, my color correction abilities are pretty abysmal. Husband and I are working on remedying that in the future, but hopefully these scans and pictures will give you a pretty close idea of what we are looking at. Er...at what we are looking?






Tuesday, August 20, 2013

Tools of the Trade: Ink Review - Diamine Ancient Copper

My quest for interesting writing tools to keep me putting one word after the other winds on, and along the way I snapped up this cool ink.

I first loved the idea of it. My mother is a notorious copper collector, and I really liked the idea of having an ink that could approximate that metallic pink-orange that I so associate with her. Then Diamine had to take it a step cooler by making this particular copper ancient. They must have known that I cannot resist ancient things. Ever. At all.

This is a great multi-tasking ink. I have used it for writing text, editing, and drawing. I tend to appreciate inks that are able to pull double-duty as a writer's ink and an artist's ink. This ink shades great and can be diluted and brushed to a very cool effect. Plus, it's ancient. As noted in the review, it is more on the orange side and misses an element of pinkness that is in real copper.

I really like how this ink looks in a fine nib. Usually the finer a nib you use on your pen, the less an ink's color and shading will be evident, but I like the way the fine letters look in this ink, sharp and dark. When my bottle is empty, I think I'll definitely be going back to the Diamine well for another. Besides, this is a color you'd NEVER find in a ballpoint or rollerball pen, and that alone is enough to keep me writing.


Tuesday, February 12, 2013

Tools of the Trade: Ink Review - Diamine Majestic Blue

A while back, in my search for ever-entertaining inks and pens, I discovered a unique concept in fountain pen inks called sheen. This ain't no Pantene commercial kinda sheen. This sheen is cool, and you can write with it.

A "sheening" fountain pen ink is one which is usually highly saturated with dye content, and therefore will give off a unique different colored "glow" when it hits the light just right, especially in areas where the ink has pooled. The last ink I reviewed had a tendency to have a slight red sheen to it in areas of high saturation, but I have run into very few inks that will give you this red sheen like Diamine Majestic Blue.

                                        

Here is my handwritten review for this awesome ink, and I'm attaching a few photos where the sheen is somewhat apparent. The usual caveat is in play here as well: my gear is not too great at color correction, so if you want to see a true blue (ha!) color-corrected swab, head over to Goulet Pens and take a peek.

Without further ado, Diamine Majestic Blue:

Click to embiggen.
Here are a few pics in which we tried to capture some of that awesome sheen.




Be reminded that sometimes cool sheening inks like this come with a price. This ink can become cloggy if you don't write with your pen often. It is an ink with which you should take some special care in your pen hygiene.

Some people like the color, but don't like the sheen or just want an ink that is a little less fussy about clogging. I'm happy to report that you can dilute Majestic Blue quite a bit with water and it still holds its color remarkably well. I haven't done this in a while so I'm not sure of ratio, but there are threads over at Fountain Pen Network which have more information.

I hope this is useful and maybe at the very least, it will inspire someone to PUT DOWN THE BALLPOINT. There is help available. Call 1-800-FPSRBETTER for more information from Ballpoints Anonymous. (Don't really call. I'm kidding...or am I?)